The Antiquity Of Jazz In China: From Yellow Music To A Jazz Revival In China
DOI:
https://doi.org/10.48047/c0k21t19Keywords:
Yellow Music, Jazz Music, Jazz Revival, Chinese Music, ChinaAbstract
This Research Investigates The Origins, Development, And Current Revival Of Jazz In China, With A Particular Emphasis On The Evolution Of Yellow Music And The Impact Of The Historical Context Of Jazz On This Development. Yellow Music Evolved From Jazz, Brought To Shanghai At The Beginning Of The 20th Century, But Reconstituted As Hybrid Styles That Incorporated Western Rhythms With Chinese Melodies And Cultural Themes. Moral Censure, State Repression, And Gendered Societal Restriction Moulded Both Remembrance Of The Genre And Public Opinion, As Much As Its Reflection Of Global Modernity. This Work Synthesised Historical, Social, Educational, And Ethnomusicological Perspectives To Shed Light On The Similarities And Differences In The Profession. Formal Educational Strategies, Cross-Cultural Involvement, And Educational Initiatives Are Cited As The Sources Of The Revival Of Jazz; However, Social And Political Conditions Have Always Served As Middlemen In Influencing Individuals' Capacity To Enjoy And Access The Music. This Synthesis Explains The Development Of Jazz From Its Origins In Yellow Music To Contemporary Jazz Practice, Depicting Its Antiquity As A Site Of Cultural Sentimentality, Historical Consideration, And Artistic Possibility. This Article Contends That The Revival Of Jazz In China Is Not Merely A Musical Phenomenon, But A Historically Mediated Process Of Interaction Among History, Social Convention, And Artistic Creativity. The Study Offers A Sweeping Overview Of The Intersection Between Historical And Modern Musical Identities, Tying Together Historical Repression And Contemporary Reinterpretation To Make Yellow Music The Foundation Stone And Driver Of China's Jazz Revival.
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